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Redoing old projects

In Spring 2008 I had a college class that taught me new ways of creative thinking. The glass was ArtGr 476, taught by Alan Mickelsen. To a new sophomore design student he was a terrifying professor; to a junior or senior, he was an endless well of helpful critique and information. We chose our own projects in this class, since the goals were in the methodology of the creative process and not its end product. Because I lacked any decent packaging projects, two of my four assignments were of the packaging variety. While I turned my assignments in on-time and received decent marks for them, I can look back and clearly see that they were unfinished. Concepts, at best. With my current ample downtime (read: unemployed), I had a chance to buff these up.

The first was a watch package that used a logo I had also developed at the start of the class. I had the idea of “excavating” the watch out of the package, using textures and opening methods that put the user in discovery-mode. However, my prototype lacked the structural integrity to hold up a watch.

Early Geode Package

Early Geode Package

The new version, made two years later and out of college, includes a sturdier frame and a complete rock-face interior. And a bit better photo shots.

Early Geode Package

Early Geode Package

Early Geode Package

See this project on Behance.


I created a second packaging project based on a methodology that began by being given two random words, drawn by a hat. I eventually arrived at a wearable snack-holder, in the shape of a cute chameleon. There wasn’t so much wrong with the prototype, but it did not tell the story that I wished it too.

Early Chameleon Circus Package

Early Chameleon Package

Over the course of the next two years, I considered the project unfinished but lacked the time and/or the motivation to fix it. Finally, over the past 3 months and especially the last two weeks, I had the gumption to finish what I started. I fledged the chameleon out into a set of 3, branded as perforated snack-holder sheets which users could buy at a carnival and/or fair. More importantly, I gave the system an identity and a photoshoot that the project deserved.

New Creature Package

New Creature Package

New Creature Package

New Creature Package

New Creature Package
Look at how much happier these kids are now.

See this project on Behance.

Interview Series: A Common Thread

What follows is an interview I did with my Grandmother regarding her quilting. While my earlier post told the story of my Grandfather’s plane collection and flying habit, this one tells of its complement: my Grandma’s skilled fingers and her devotion to supplying new family members with quilts.

My grandmother

  1. When did you start quilting? What got you into it? At Church, we had a quilting group 30 years ago. We made quilts for other people. Reverend Hoffman’s wife taught it. The group charged money for quilts, some of which was given to the church. We had a waiting list of people who wanted quilts made for them. The group always had two quilts going at one time, but eventually that dropped off. Usually we had around six ladies in the group. Now I make quilts at home since I retired. I’m past my prime, as they say. It takes me 2 months to make a quilt.
  2. What is your favorite thing you’ve stitched/quilted? I don’t have a particular favorite. I try to do different patterns each time. Don’t like to do the same thing over. I don’t get too complicated with the designs. I’ve won 1st and 2nd place at the Mississippi Valley Fair before with my quilts!
  3. How many quilts and/or pieces of clothing do you think you’ve made? Personally, 30-40 in fourteen years. As a part of the church group… no idea. I made them for all the grandkids, all the great-grandkids, for marriages, family, myself… It used to take me one month to make a quilt, going 6 hours at a time. Now can only do it for about an hour before my hands get tired.
  4. What’s your favorite part about quilting? I like picking out the patterns and materials. I get patterns at Jo-Ann Fabrics store. Sometimes I use patterns from books. I also get patterns and ideas out of quilting magazines.
  5. How long did it take you to become good at quilting? Doesn’t take too long; they didn’t complain about me too much when I started at church. I made Robin (editors note: her daughter, my mother) a coat in stitching class. Tiny stitches are tough and I don’t like them, but it’s easier when you’re in a group.
  6. Has technology had an impact on hobby quilting? Are sewing machines that much better than stitching by hand? Machine quilting is faster but has less character to it. I use a sewing machine to put pieces together, and have a big frame to do large twin and queen-size quilts instead of doing it in my lap.
  7. How do you choose what patterns you want to use for a cloth or quilt design? I choose patterns from my magazines, or pick them up from TV quilting programs.
  8. Is there a community for quilting? Do you participate or try to share quilting knowledge with others? Oh yes, we gossiped at church. We talked about life, kids, all that stuff.
  9. Do you think there will always be room for quilting or is it a dying hobby? Machine quilting will be around, but hand-quilting is dying out.
  10. Do you or did you ever have an interest in fashion design, or was it always more of a hobbyist thing? Nope.
  11. How much time per week do you spend quilting or cloth-making? I spend an hour at a time these days because my back bothers me, usually 2-3 hours a day total. 10 hours a week if I’m really working on it. I’m a sewer who needs a pattern, I can’t just sew (like Shylynn’s costume). No problems with arthritis though! Sewing might actually help that, keeping the hands and fingers moving.
  12. Your quilting/cloth making influenced Robin quite a bit. She made me costumes as a kid and also regularly sews bibs together for my sister. Are you glad that you passed on this knowledge? How often did you and Robin knit together? Does Laurie also knit, or any of your grandchildren? They weren’t interested in quilting when they were younger. Whatever sewing they learned, they learned it in high school. Robin still sewed a bit for her kids’ costumes, like you said. Great Grandmother Fox quilted with old material out of necessity, and had old, square quilting frames. So there’s a little bit of heritage to it.

Motivation

Motivation Poster

This was a slop-job poster I threw together one afternoon to motivate myself to keep applying for design jobs. Over time, I discovered how many yellow post-it notes I was using at work (not always for work, heh), and wondered what they would look like in aggregate. I missed a few, but I’m disappointed I still didn’t get to cover the entire 18.5 x 24″ area the poster took up. I moved out of the apartment whose wall this poster clung to, so motivation must come from elsewhere…

Post-it note content includes work-related notes, dates to remember, doodles, character sketches, mood sketches, concept sketches, logo sketches… basically, just a lot of sketches.

New Website Mockup

This is the second of two versions I’ve mocked up in Photoshop thus far. Not sure if I like it that much; it’s stained with too much design-blog viewing (i.e. looks a lot like many of the glitzy websites you see these days on Smashing Magazine, Creattica, et al). It sure its glitzy though.

Weiser Design Website Preview

This will eventually be both a portfolio site and a blog, although you could probably tell that from the tab menu on the left. Hopefully implementing it into WordPress won’t be too bad, but I am admittedly a little rusty on my WP coding.

I also plan on using fonts from Google’s Font API to bring a little spice to the typography. I don’t know about you guys, but I’m awfully sick of seeing nothing but Arial, Verdana, and Georgia. What are your thoughts?

Emancipator Poster Submissions

I couldn’t decide on one, so I made two. Photo credit on the second poster goes to Bob Segal. I was kind of rushed on the first one, so I may eventually go back and add some shadows on the ground-plane for the mountains.

Poster 1

Poster 1

emancipator poster in-prog

Yeah, I’m not done with this. Maybe posting it here will get me thinking on the final outcome. Oh and due Friday, sweet!

Copyright 2010 Chris Weiser

I wanted to signify that this is likely the tour to promote “Safe in the Steep Cliffs,” Emancipator’s latest album, hence the mountains. Emancipator’s own album covers and style have a heavy emphasis on nature, and I wanted to mash that with the electronic nature of his compositions. Hoping to make the due date…

Trademarks progress

Getting closer to the final result I think. Color is still an issue; I like the blue/red/yellow combination for being primary pigments with a playful tone, but my current combinations make the owl look a little too much like a parrot. Figure if owls have a positive connotation for being wise, parrots have a negative one for just repeating stuff.

Weiser Design Trademarks progression

Weiser Design’s 2010 Trademark

I’ve been trying to come up with a cleaner design to use as a personal and professional identity. I’ve stuck to the “Weiser Design” moniker, and after copious amounts of sketching, came up with the idea of a representational owl. There are several reasons I arrived at this solution: for starters, I used a lowercase “w” and an uppercase “D” to create a sleeping face in the illustrated owl. Owls are also known for being wise, and the word “wise” is a related homonym for my last name (WISE -> WEISer). This has the added benefit of helping people pronounce my last name, instead of hearkening to a certain album-churning rock band.

I haven’t arrived at the final design solution yet, but it’s at least progressing. Current typeface used in the logotype is Meta Normal. What do you think?

Interview Series: Family Wings

grandpaFly

The following is an early draft of an article I plan to include in my eventual portfolio zine. As it stands, said zine is not getting produced anytime soon, so at least I can share it here.

This is the first in a series of interviews which I have chosen to include in this zine; the Family Series focuses on my immediate family and their hobbies. I think the urge to “craft” is etched into our blood! I’d like to start with my maternal 76 year-old grandfather, Charles Fox.

Stepping into the tiny office of my grandparents’ modest two-story home, I am immediately struck by the menagerie of assorted electronics, fuselages, canvased wings, and the handful of completed gliders which adorn the walls. I attempt to back up enough to get a good picture with my 35mm Nikon lens, but am unable to capture the organized chaos of the small room. My Grandpa easily points out the purpose and completeness of each plane in the room, many of them in a half-disassembled state. I point out a small painting of a red P-51 on the ocean-blue walls, which my Grandpa attributes to either my Uncle Mike or my Uncle Rick. He reaches inside a brown paper bag and shows me a partly assembled glider given to him by his now-deceased longtime friend. For a moment I am humbled by the idea of hobbies left behind, artistry passed on to friends and family.

My Grandfather suggests I put on my coat so we can head out back and see the planes stuffed into the back of his white conversion van. Eight or nine complete airplanes reside here, ready for flying. He shows me a motorized Red Baron, which I would days later feebly attempt to fly in gusty winds. The bulk of the planes resting back here are hand-launch gliders, and as he points out their various features I ask him to briefly pause for a photo. I don’t ask to see it, but I am faintly aware of the assortment of model parts taking up most of the space inside the nearby one-car garage.

Back inside, I urge my Grandpa to show me his workshop downstairs. We nimbly make our way down a set of narrow stairs and past the only other occupants of the dark, dank area (a washer/dryer pair and an ancient furnace). Into the sudden light of a halogen bulb, I see a workbench without a chair surrounded by building materials and a few gliders stuffed into the woodworks. Charles shows me some of the blueprints he has recently downloaded from the internet (at a crawling 28 kilobits per second). I marvel at the intricacies of the designs, still trying to understand the term “laminar flow.”

Days later I would meet my grandfather, his retired friend John, and both my uncles out by the Seven Sods Fields, just within Davenport city limits. They appear much more prepared for the chilly wind which blows here, or in the case of my Uncle Rick in his T-shirt, much less bothered by it. They all spend a few hours whipping their small gliders into the air by the wing, using bulky electronic controllers to guide their planes in the gusty wind. My grandpa explains how they gain altitude by searching for thermals, sometimes by watching for birds or hawks using those very air signatures.

Another friend by the name of John pulls up along the side of the road as the group tires of the small hand-launches. They charge their lithiom-ion plane batteries with car batteries while John #1 goes for his winch. My Uncle Mike sets it up while I munch on an apple given to me by my grandpa. My Uncle Rick passes the setup time by zipping around with a motorized Hawkeyes-themed airplane. I marvel at the wingspans of the new full-size gliders being brought out and assembled in preparation for takeoff. My Uncle Mike tells me about the quality construction of his Czech Republic-built full glider, gleaming white with red stripes on the tilted wings. Then it’s time for flying again, and John #1 releases a fullsize glider into the air, tenatively tapping the winch’s pedal as the attached cord 50 yards away governs the plane’s arcing flight up and into the wind. John #2 and my grandfather sit in lawn chairs and rap. Soon there are four large-winged, silent flying sentinels cruising the skies, going farther and higher than the smaller hand-launches flown earlier. My Uncle Mike is the most talented of the bunch, soon taking advantage of thermals and soaring his Czech plane to the bottoms of the clouds that dot the Autumn sky. My Grandpa has told me about the logic of paint schemes: white tops for reflection, black undersides for visibility, and reflective red tails for when view of undersides fail.

I honestly hadn’t expected to be there longer than an hour, but I remained long past the start of my growling stomach snapping photos not just of personified soarers, but also of the persons controlling them. Not often did I see both my uncles and grandfather interacting like this, but I think I’ve just been missing out. This was family time.

The following questions were asked on that first day, prior to witnessing the quiet joy of my grandpa’s and uncles’ soaring hobby.

What got you into model airplanes in the first place?
The Navy used to build models of Japanese Zero airplanes to get their pilots used to the look and construction of enemy planes. Back when I was 9 years-old I entered a contest in Sante Fe to build the most lifelike Zero.

How many planes do you have?
10 complete ones in the truck, a bunch more pieces of them in the house and garage. Some hand-launches, a couple big gliders, an electric motor plane.

What do you enjoy most about model airplanes?
I like the challenge to design and build a plane with high performance. Looks aren’t very important.

Did you ever fly any real planes?
Used to fly J-3s, and the SuperCub Piper propeller airplanes. We called ‘em Putt-putts.
How much time do you spend every day tinkering with your planes?
3-4 hours a day.

What’s your favorite type of plane to fly?
I like the hand-launch airplanes, since all you gotta do is swing it or throw it into the air. It takes more skill than a motor plane though, since you’re relying just on the wind.

What is your favorite part about building planes?
Carving/sanding the fuselage out of balsawood, and making sure it performs well.

How often do you interact with other airplane builders?
2 times a week, once a weekend. I fly with three other retired guys during the weekdays. I’ve taken part in lots of contests, took 1st place in the 2008 Muscatine Soaring Society Contest, took 7th place in Nationals. We compete to keep the planes in the air as long as possible, or sometimes for speed.

Do you think model airplanes will ever get more popular?
Most flyers are older or retired, and the young guys usually get into it with their fathers. Take patience.

How long would it take someone to get into building and flying planes?
About a week to build a simple glider from scratch. You can buy kits to speed it up.

What does Grandma think of your hobby?
You don’t wanna know.

Do you fly planes with your two sons as well?
Uncle Rick is into flying, not so much the building part. Uncle Mike likes to build them too but doesn’t have as much time to do it.

In what way has technology influenced model airplanes?
Now you can download schematics for wing structures and sailplanes from a website, before you just had to draw plans yourself. You can get charts showing laminar flow over the airfoils, or e-mail other modelers to share your designs.

Look for part two soon, where I interview my Grandmother about her knitting skills.

Yeah!

I like the typeface “Sol.”

yeah



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